American Art History

SEQ CHAPTER \h 1 Despite being the Statesn artistry cooks created decades apart , Edward Hicks peace-loving Kingdom (1833 ) and Florine Stettheimer s solace lifetime With Flowers (1921 , summarily capture more than eighty-eight years of the Statesn recital . The works are not like save in the presence of American optimism infusing both . charm , Hick s icon captures the promise of Isaiah Chapter 11 , Stettheimer s work hints at its fulfillmentThat is to say , viewed consecutive , with an eye toward which came first , Hick s work is viewable as the promising establishment of America . In keeping with biblical imagery evoked by Hicks , unconstipated the establishment of an enlightenment . Therefore , Stettheimer s work is either the foresighted sought flowering of this hot Eden . Her subject and its description port ray the maturation of American thought from the gravity of recognizing it as a smart nation captu release in suitably dangerous color of the new country to the gay , vibrant colors of the same land , having achieved its manifest destinyWhen Hick s painted Peaceable Kingdom in 1833 , America , a free republic , was but lvii years old and still pertain with her beginnings while enthusiastic to create a sense of perceptual constancy and agelessness As menti peerlessd , Hicks choice of palette appeals to the notions of gravity and permanency . White dresses with red sashes , nature s own palette of low-keyed greens , browns , golds and grays and a rather subtle lighting that illumines no one design in the work over opposite . Hicks application of the oil paint to its canvas surface looks so seamless and without metric grain that the image achieves inflexibleness . Its size also conveys stateliness , just about two feet long and wide , closely democratic in its p roportions of 25 inches by 28 1 /2 inches . ! The churrigueresco pretentiousness of the work is also indicated by its space which appears designedly organized , tempor ally , on a linear spot , to illustrate a symbolic time line .

furthermost from the forefront of the painting are the ships which presumably brought the first Europeans to America . Closer to the forefront , preceding the ships , is a table of Pilgrims and Indians . therefore follows the forefront itself , the most important of the paintings triple focal points - one-year-old deal and animals , some bucolic , drear and others fierce , predatory all sit peace completey as though posing for a family portrait . Hicks has captured here , the philia of a verse from Isaiah Chapter 11 : The animal also shall populate with the lamb , and the leopard shall lie down with the fry , and the calf and the young lion and fatling together , and a subaltern child shall idle words them In the mind of Hicks and other Quakers , the new nation , America , seemingly usurps Israel to become the promised realm of DavidIn contrast , Strettheimer s Still Life With Flowers is much more light-hearted . It conveys a sense of utter gambol and relaxation . Her America is one focused inward out-of-door from a rather sound Baroque imperialism towards a gilt Rococo domesticity . The hints of imperialistic desires seen in Hicks work are not...If you call for to get a full essay, order it on our website: BestEssayCheap.com

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